My Nutcracker withdrawal this year began shortly after our final bow.
It hit even harder as I helped the tech crew take down the sets we put up what seemed like only a day before, but in reality was a little more than a week ago.
I took a couple of photos of how empty the place seemed without all the sets, the props, the dancers, the wardrobe and makeup crew, the volunteers, the parents and the crowds.
What an amazing week it was. I’ve said it before, but Nutcracker week is the one week that I get a little glimpse into what it’s like for a professional dancer. From last Saturday onward, the theater was my home until roughly about 5 this evening.
Set setup, long rehearsals, company warmups … multiple parts in multiple performances in a single day. We’ve just completed seven shows in four days. And since the school shows on Thursday and Friday were so early, I don’t know if I slept more than four hours a night until last night. Our show today wasn’t until 1, so I got to sleep in a little bit after leaving the theater at 10 last night (I was at the theater yesterday for 11 hours because of how our two Saturday shows were paced).
Performance-wise, it was an interesting week for me. One of my three roles was “bed boy,” which if you know anything about New York City Ballet’s Nutcrackers, you know there’s a poor unfortunate dancer under Clara’s (or Marie’s) bed transporting her around the stage at various times during the battle scene. They changed my path and added fog, which obscured my already limited vision.
I botched my exit because of it dress rehearsal night and for our Friday night show (nothing like flying blind as your backing off stage), but by our performances Saturday and today I was nailing the bed runs.
My favorite role, the Chinese Lion (or Dragon) went well. Got ahead of the music during the Saturday matinee performance because our wonderful orchestra (trust me that’s not sarcasm, they did a great job) for some reason slowed the music and had to make an adjustment. But my jumps got better and higher with each performance, as did my timing. I felt our last two performances were my best shows overall.
As for the party scene, I thought things went really well every performance. My very young party wife and I worked well together during our short dance, and she did a very good job staying in character the entire scene. She was a pro, and maybe the best party mom I’ve ever worked with (she took her role as “mom” seriously and was constantly fixing our “son’s” hair and making sure his little tie looked great).
There are some things I’ll never forget. I already mentioned the gift I got earlier this week. The Claras gave me a nice little red velvet cake in appreciation for my grunt work as “bed boy” during the battle scene. And I received several compliments for the multiple roles I had in the show.
Company warmups are always among my favorite things about production. Mr. and Mrs. O alternated leading them, and we do them to Christmas music. Nothing gets me more in the Christmas spirit.
Among the touching things this week was watching the company girls who are seniors in high school. It’s always an emotional week for them, but today was especially hard for a couple of them. They’re going to be going off to college and this was their last Nutcracker with the company (and maybe for good, I hope they don’t quit dancing when they go off to college, but many do).
We also had the first sold out public show that I can remember since I started performing a few years ago (the school shows are always sold out). We had the packed house for our Saturday evening show. We had great crowds all week.
And I believe we had our best performances as a company and school the last two days. Our cavalier and our two Sugar Plums were amazingly beautiful during our grand pas and coda the entire week.
There’s a lot more I could say, but I’m extremely tired. It seems the older I get, the faster the week goes, and this was the fastest I can remember.
The real world beckons tomorrow.